On the parchment

Rating 4/5 Karthik Subbaraj has given another good one. His direction has streamlined on feminism from a guy's point of view. Three guys steer their life in different ways around three women. Their approach and behaviour towards women and their idealism in their own way is pragmatic. The story is smooth and entertaining. When I heard that the movie is about feminism I expected something on another level. Movies like Aval appadi than, Kalki, English Vinglish, How old are you (36 vayathinile in tamil) scream of feminism. This one sends a very subtle and indirect message to the spectators without antagonizing either gender. I am sure this is one of the very few movies which has not offended either gender. Malar's (Pooja Devariya) character is a controversial one whereas Ponni's (Anjali) and Yazhini's (Kamalinee Mukherjee) are typical tamil girls'. Malar's character looked like something derived from one of K. Balachandar's female characters. Anjali, who usua

For most part, the story revolves around the time when India was struggling for independence although except for the part where Gandhi is quoted and Renuka, the protagonist becomes a krantikari and bombs a British officer, the slavery and the struggle is scarcely mentioned. Renuka is a headstrong girl of 14, when her character is introduced. She meets the love of her life as she hides from the British police in a bungalow. Shashank, the gentleman every Indian woman wants, falls for this brave little girl on the first sight. He holds his emotions and shelters her and protects her till he drops her off at her house. This episode is long forgotten for a few pages until Renuka's maasi finds her an alliance with the son of a Zamindar family. One would think that is the stranger from that night but no. Lalit is a spineless guy who couldn't raise his voice on the wedding night when the groom's father, Nagesh Choudhry, rejects the girl for not producing enough dowry. To everyone&